Moving Holograms and Performances
© 2024–2026 Ricardo Peredo Wende
The following pictures show still images and videos of installation with moving holograms, prints, drafts, sculptures, drawings and performances, dimensions vary. Berlin, 2024-2026.
Most of the videos—many of them part of installations—can be found on my Vimeo page.
My work is non-commercial.
I’m looking for sponsorship to continue developing my artistic and scientific practice, exploring moving holography in dialogue with performance, painting, drawing, music, and other media.
I use my own artistic intelligence—another form of AI—in the creation of my artwork.
I choose not to use artificial intelligence, as it does not produce the results I seek. Instead, I rely on my own creative vision and process.
Note: This website is designed to be viewed on a computer. It may not display properly on mobile devices, as it contains a variety of detailed images from artworks that require a larger screen for the best experience.
MOVING HOLOGRAM INSTALLATIONS
Most videos include sound. Viewers can activate it using the sound button " Ton an" or "unmute".
My artistic work is based on painting, drawing, video art, holography, music, and performance. As a Meisterschüler of Nam June Paik at the Kunstakademie Düsseldorf, I had the opportunity during my art studies at the Kunsthochschule für Medien Köln (Academy of Media Arts Cologne) to learn how to create holograms.
I was particularly interested in producing abstract rainbow holograms and shadow holograms. During the realization of a multimedia installation, I had the good fortune in 1993 to discover “Holofeedback,” a phenomenon in physics that later made it possible for me to create moving holograms by building my own working instruments based on this phenomenon called Holofeedback.
Holofeedback combines video and holography, making it possible to create an analog video feedback with holographic light, thanks to a shadow or rainbow hologram that is used as a filter.
Over time, my instruments and my working technique gradually developed and evolved, becoming increasingly refined. In 2019 I succeeded in constructing my first figurative moving holograms, as until then they had been purely abstract.
Little by little my technique improved until I began to create my first portraits as moving holograms. For the moment these portraits are two-dimensional images, because for technical reasons I start from holographic information derived from two-dimensional rainbow or shadow holograms, combined with video, photography, or drawings.
In my most recent works I presented series of moving hologram portraits at Musikbrauerei and at La Girafe Gallery in the city of Berlin in 2025 and 2026.
As an experiment, I decided to create portraits of public figures and celebrities, as well as friends and acquaintances.
Rainbow Garden Moving Hologram (Holofeedback technique),
Kunstraum La Girafe, Berlin. 2025.
This abstract moving hologram served as the introduction to the main Moving Hologram Portraits series. 2026
Moving Hologram Portraits Slelection 2025-2026
Still image of the Moving Hologram Portraits (Holofeedback technique),Kunstraum La Girafe, Berlin, 2026.
Thanks to the "studio program" of the Berlin Senate for Culture and the Berufsverband Bildender Künstlerinnen und Künstler Berlin, I currently have the opportunity to continue researching and developing my artistic work. I am a bolivian german Berlin-based artist working across interdisciplinary media, exploring the convergence of visual art, sound, and digital processes. My work focuses on artistic research and experimentation with moving holograms and performative practices. It develops through exhibitions, collaborations, and research-based practice.
Selected still images of the installation Moving Hologram Portraits, shown at Kunstraum La Girafe, 2026.
At the beginning of the presentation, a live sound performance took place behind the screen, with the artist playing the sound in real time for the installation. The Moving Hologram Portraits and the sound were looped, allowing the installation to run continuously.
The installation casts a wry, reflective gaze on the ornamental tropes of beauty, playfully unraveling their excess and artifice.
Moving Hologram Portraits Vimeo Video (Holofeedback technique) 2025, show at the Kunstraum La Girafe, Berlin, 2026.
Rainbow Garden Moving Hologram. 2025
These photos are still images from my moving hologram video Moving Hologram Rainbow Garden, produced 2025 and presented in the premiere of my holographic and electronic Cyber Flowers and Blue Eyes moving hologram installation, accompanied by live Latin American music,on the occasion of the Festival of Latin American Music in Berlin, 2025. Dimensions vary. My holographic and electronic Cyber Flowers moving hologram is an abstraction of holographic rainbow flowers in electronic motion.
“Rainbow Garden Moving Hologram” is a sample from the installation Rainbow Garden Moving Hologram, presented at the Kiezraum Dragonerareal, Berlin, 2025.
"Naked Eyes 2" moving hologram at the Dragonerarai, Kreuzberg. 2025
Still images from the premiere of my holographic and electronic Cyber Flowers and Blue Eyes moving hologram installation, accompanied by live Latin American music featuring soprano Lattilia Baronin von Ledersteger at Kiezraum Kreuzberg, on the occasion of the Festival of Latin American Music in Berlin, 2025.
The Kiezraum on the Dragonerareal in Berlin-Kreuzberg is a listed former horse stable of the Garde Dragoon Barracks (built around 1855), which today serves as a non-commercial meeting place for neighborhood activities, culture, and community work. After resistance to a planned privatization in 2010, it was developed into a central hub for citizen participation as part of the “Rathausblock” model project, supporting the community-oriented redevelopment of the area.
Moving Hologram Installation in the international exhibition "Dystopie meets Utopie" at the Musikbrauerei. Berlin. 2025
The Musikbrauerei in Berlin’s Prenzlauer Berg (Greifswalder Straße) is a historic industrial monument that was built in the late 1880s as Schneider’s Brewery / Schweizergarten. After the end of wheat beer production around the time of the First World War and a period as an entertainment venue, the dilapidated complex was renovated after German reunification.
Stills from my Moving Hologram Project, produced in 2024, showcasing my technique of playing the violin on rollerblades, Musikbrauerei, Berlin, 2025.
moving hologram installation by ricardo peredo wende, 2025
Link zum Video: https://youtube.com/watch?v=6wnQ1GLFK1A&is=xXT914XQTCr4VRKM
Moving Hologram presentation and live grand piano performance at the event "raum: e 30", Musikbrauerei, Berlin, 2025
Stills from my performance inside the moving hologram installation, playing my jazz improvisations and original compositions on the grand piano, wearing a devil’s head hat and a Christmas pullover, Musikbrauerei, Berlin, 2025.
Vimeo video and selected still images of the Geometrical Moving Hologram shown in the event "raum: e 39", Musikbrauerei, Berlin, 2025.
Moving Holograms 2024-2026
A selection of images from my abstract moving holograms, 2025
Soprano Lattilia Baronin von Ledersteger performing in homage to my moving hologram installation, Kiezraum Dragonerareal, Kreuzberg, Berlin, 2025.
Moving Hologram Portraits selection, dimentions vary, 2025 and 2026.
A selection of images from my moving hologram portraits, Berlin, 2025-26.
A moving hologram portraits selection, Berlin, 2025-26.
Performance work
My performance work also seeks to combine moving hologram installations with body motion, music, light, and space, using instruments such as trumpet, violin, mandolin, guitar, piano, keyboard, and voice, together with ice skating, diving, rollerblading, dance, and gymnastics. In this, my work echoes approaches such as Daniel Spoerri’s Eat Art, which integrates everyday actions into art to create new aesthetics. From an art-historical perspective, my diving performances from the 10-, 5-, and 1.5-meter platforms can be understood as a form of sport art, where athletic discipline merges with artistic expression. Within the sports world—particularly in the context of diving in Berlin—trainers and experts tend to remain highly conservative regarding the integration of art, dance, or music. For this reason, the series of realized diving performances will not be repeated. The works continue to exist through the artworks that emerged from them: photographs, video art, and moving holograms. These media were never intended as documentation; they were conceived from the outset as artistic forms that transform the ephemeral movement of the dive into visual works.
Violin Diving Performance Series at Lietzensee on ice skates, at the Velodrom Diving Hall, Berlin, 2025 and Grand Piano Performance in a Museum, Charlottenburg, Berlin, 2024.
I have participated in international exhibitions and projects, including Dystopie meets Dystopie at Musikbrauerei Berlin (2025) and exhibition projects at Kunstraum La Girafe, Berlin (2024–2025). My collaborations also extend internationally, including work with Hanmi Gallery in the UK and the National Museum of Art, La Paz in Bolivia.
My practice engages with media art discourse and experimentation. In 2023, I contributed to the international symposium Random Access Sound: ReSounding Nam June Paik at the Seoul National University Museum of Art in South Korea. Earlier, I presented the lecture Mixed Pixels at the Nam June Paik Symposium: The More the Better at the Korean Cultural Center Berlin (2015).
Alongside my artistic work, I have taught workshops and led creative programs, including a workshop on animation with 3D objects at the Academia Nacional de Bellas Artes Hernando Siles in La Paz, Bolivia,
as well as project-based teaching in Berlin.
in construction